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Recent Work - Images and Words

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Someone recently wrote that I was “prolific” in my mail-art making. While I kind of agree with this, I don’t completely agree. I think there’s a lot more I could be doing, more projects that I can accomplish. At work I like to nibble away at ADD AND PASS sheets, at home and upstairs I work on my collages, and in the basement I spray-paint the collaborative books. I guess it seems like a lot when I try and write it all down in one place even if I feel like I’m not able to make things all that often. Maybe I send too much shit. Anyway, the focus of this post is on the collage work, the stuff I agonize about…the stuff that really is the focus of my makings. The collages matter the most to me, they’re the raw materials that I build everything out of. I’m going to share a little bit about these, how I made them, and what separates them from other projects for no particular reason.




This year I discovered spray-paint. It seems like it took a long time for me to figure out the joys of instant…

Kolaj Fest New Orleans

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I’d seen a few things going around the interwebs about Kolaj Fest in New Orleans. I looked through the lineup of events and thought it looked cool. Kolaj Magazine was the main sponsor of the event, a magazine that I’d purchased before and liked. More than a few friends’ work has graced their pages. Since we were taking the week off to go to Nashville for a conference, we impulsively decided to add New Orleans and the four day conference to the end of our trip. I bought a ticket and booked a hotel we liked in the city.
Misty and I got in late on the first day, missing the “meet and greet.” After and eight hour drive from Nashville, I wasn’t up to scurry across town and talk with strangers. I was at the official meeting spot the next morning at 10am. It was at The Istanbul CafĂ© on St. Claude, a street I don’t think I’d been on before. Whenever I go to New Orleans I seem to unlock another section of the city. I decided to walk there from my hotel, going down Decatur Street, across French…

I Made Seven Inch Covers for Cactus Black

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I say yes to any creative assignment people are interested in me doing. Don’t worry, it’s not a lot of work, rarely do people ask anything of me. Namely I’m talking about people outside of the mail-art network. Mostly these folks are friends who want a collage of their loved one or something for their own creative projects. They’re always poor working creative types too, so rarely do I expect anything out of them. In other words, they don’t pay. It’s a punk rock I’ll help you out if you help me out sort of thing. If I like the person and I like the project, I’ll not only say yes, but I’ll take on the project with glee. Doing something I wouldn’t normally do makes me have to problem solve; it increases my vocabulary for making trashy collages. Plus, I get to collaborate with people in my area (mostly) which is exciting.

Mike Tyson is one of those dudes, a guy that makes good music and is a nice hang. I feel like I’ve spent a lot of time in backyards talking about music with him. A coup…

I Have a PO BOX

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Jon Wayne
PO Box 1045
Lexington NC 27293
USA
There’s no reason for me to start another outlet to send mail-art. Not that I send too much or too little, I just have too many things in the air at once. Right now I have a few collaborative projects going; I have regular correspondence, and things that I send to friends. Adding another avenue to my “makings” seems like a bad idea. Why not focus more on one of the other things instead. You know, finish a project or elaborate on an existing one.

I’ve been thinking about setting up a PO Box for some time. There’s the usual worry of lunatics finding your address and sending you something they shouldn’t. Thankfully I haven’t had to worry about that, over the past six or seven years people have been respectful that I use my home address. Although it’s a worry, that’s not my main reason for setting up a PO Box. Over the years I’ve wanted to take risks in what I mail to people. I have no interest in disturbing or upsetting someone, but the anonymity …

Fame Makes a Man Take Things Over

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I was waiting for the first official work meeting of the semester to start when Jo came up to me and asked, “Has Antoinette gotten in touch with you yet?” I thought it was a student. “No,” I said. “It’s a lady that works at the Dispatch. She asked me if I knew any ‘artists’ and I gave her your name and information. She’s going to be in touch with you.” When the three hour long meeting was over I walked back to my office and checked Facebook. I received a message from someone named Antoinette. I immediately texted her back and a few messages later we had an interview set up for Saturday morning. It’s weird getting ready for an interview. You’re not really sure what someone is going to ask of you or how it’s going to come across on the page. Not like I have a lot of experience at such things, only one time before have I been quoted in print. The first time I was interviewed was for the Tucker project and everything came out quite nicely, no worries or annoyances. The main difference fro…

New Year...Making Goals

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I know that as every year passes, I tend to send more and more pieces. I have at least five or six different types of projects going at one time. When I started making mail-art I only made postcards. I created the postcard and then I mailed them. Things have become intensely compartmentalized and creating new things is only one aspect of my mail-art activities. I scan a lot of stuff. I print a lot of stuff. I facilitate ongoing projects that need special attention. I make bigger work. I make collaborative books that I collect, spray-paint, and then add a bunch of garbage to. I never made a conscious effort to add new things to my repertoire it just happened over time.  I’m not sure that my 2017 mail-art tally tells me all that much. At best it gives me a ballpark figure of the things I’ve mailed. I only count things sent to mail-art friends in the 384. Things sent to people in my day to day life, don’t get a mark. Maybe I do this because I don’t expect to get something in the mail from…

Trashy Collages At Aperture Cinema

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When I started making mail-art I started slow. I made a few pieces, mailed them, and then made a few more. It took me years before I made anything bigger or more ambitious than a postcard. Like most things, if you care about them, you slowly get sucked into every facet of the obsession. You start making larger cards, doing collaborations, and then pretty soon you’re making pieces not meant to be mailed. Over time those mildly ambitious whims start to collect in a corner of your house, and you think to yourself, “Why are these here?”


Some months ago I had a meeting with Lawren at Aperture. I was invited by a friend. I said a few words and brought a bunch of packages for the folks attending. It was never really clear what my purpose for being at the meeting really was, but my motto is always the same when it comes to such endeavors, “just say yes.” If someone asks me to make a record cover I “say yes.” If they ask me to make a birthday card for their girlfriend I “say yes.” I do this not…